Interview: Can Ana de la Reguera Tame Kenny Powers?
If you don't yet know who Ana de la Reguera is, you soon will. She has starred opposite some of the hottest A-listers in Hollywood, and she just finished work on one of the most talked about movies for 2011 (Cowboys & Aliens). Currently she co-stars in the funniest show on television today (it's a scientific fact), HBO's Eastbound & Down, which airs Sundays at 10:30 p.m. I got the chance to catch up with Ana a few weeks ago, and we discussed her new life in the Funny Lane.
Celebrity Extra: The other night I rented Cop Out, and I thought it was hilarious. How was it to work with Bruce Willis and Tracy Morgan?
Ana de la Reguera: It was great. It was a great experience just to watch them work together. They are so different. They come from different schools. They’d improvise a lot. I had a blast. I was a huge fan of Kevin Smith, so for me that was perfect for my career to be close to those people and to learn more about comedy. I worked in New York for one month last year in the summer, and I had the best time.
CE: What did you like most about working on that movie with them?
Ana: I like the freedom that Kevin gave me. The character was pretty much the girl who was really scared, and they save her and are taking care of her. I just thought it would be more interesting if more than being scared, she was mad and pissed about what was going on in her life, about what was happening to her. My whole part is in Spanish, and they couldn’t understand a word of what I was saying. So, Kevin just had to trust me, and I was like, “Oh my gosh, he doesn’t even know what I’m saying.” For me it was cool, but at the same time I was nervous, because I felt like everything depended on me — what I’m saying or that I’m doing the right thing, because they don’t know. I felt really good that they liked what I did and it worked out really well.
CE: Tell me about filming Nacho Libre with Jack Black where you played Sister Encarnacion. I have to tell you that this movie is one of my favorite comedies of the past 10 years — I laughed so hard in some scenes I was crying.
Ana: Oh, thank you! For me it was a blessing because I’m a nun. (Laughs) I’m kidding. We were in Mexico the whole time in a beautiful town called Oaxaca. So, the whole crew was Mexican. The only Americans were literally Jack, Jared (Hess, writer and director) and Mike White (writer). The rest of us were Mexican folks. It was really nice that they were adapting to us. I think Jared did a great job. He’s fluent in Spanish so he did a great job trying to get on the screen our culture and who were are, and he was very respectful about it. We had the best time. Oaxaca is one of the best places to eat, and so I gained a lot of weight because Jack is a good eater. He was eating the whole time.
For me, that movie was my big breakout. I was living in Mexico. I was an actress, of course. I already had a pretty good career there. From that moment I had almost 10 years acting, but I got the part without an agent or anything. I had a plan to go away to American to try to make it in Hollywood, but I couldn’t. I didn’t have the money. But then the movie came to Mexico and I got the part.
CE: That’s great that Hollywood came to you!
Ana: Yeah, but after that movie it’s been pretty hard. It’s really, really hard to keep working. There’s a lot of competition out there. There’s a lot of great Latina actresses out there competing for the same roles. Sometimes I have too much accent or I don’t look Mexican enough or sometimes I don’t have enough accent — it’s weird. I struggle a lot, but now I think I get it. After a couple of years, you learn how L.A. works.
CE: Now fans can catch you in HBO’s outrageous and HILARIOUS comedy, Eastbound & Down, which is hands-down one of my favorite shows out right now. What can you tell me about the part you play, Vida, as well as any plot points you can divulge?
Ana: Well, you know that Kenny leaves April at the gas station. So, he basically disappears and wants to start over and wants to go to a new world, so he goes to Mexico. When he comes, I think it’s going to be really, really fun because his character is not that smart. I think he’s pretty ignorant. He’s in a completely new culture. His weaknesses are much bigger. He meets me there and I’m a singer. He thinks we have a connection because I sing Bob Segar songs, covers, but in Spanish the whole time. It was a lot of fun to record those songs. But I can’t tell you much; I don’t want to ruin the story.
CE: How on Earth do you keep a straight face playing opposite Danny McBride?
Ana: Oh my gosh. It is really, really hard. What helps me is I just block my mind, and I’m not listening to him. Because if not, there have been times when the crew couldn’t even work because they were laughing. The camera guy was laughing, and the camera moved because he was laughing. Those guys are really sweet and we improvised a lot. The way they work is we did the scene as it was written like two or three times, and then they just let us free. They let us do whatever we wanted and say whatever we wanted, and we just improvised over and over. I think that’s really a smart thing to do in a comedy show. Those were the hardest moments, because you didn’t expect what somebody was going to say or do. I had the best time. The people from HBO are the sweetest people. They were so nice to me. I couldn’t ask for more. Literally I had the best time of my life.
CE: All the comedic geniuses you’ve worked with, and you can keep a straight face. Directors should pay heed!
Ana: Yeah, I’m really good at it. You know why? Because what happened to me when I did Nacho Libre is — what I am used to is usually when you film in Mexico, the actual film is so expensive that you are not allowed to be laughing like we were doing (on Nacho Libre). How I am used to working is not being able to do very many takes because it’s so expensive, and we don’t have the budget to ruin the scene just because we were laughing. In Mexico, that would be so bad for the director that you are ruining the film, because we don’t have that much money to spend. For me, doing that is disrespectful to the crew. So, that’s why even though I know that I’m allowed to do it, I’m just trained that way not to laugh. I just try to keep a straight face all the time and then laugh after.
CE: I’ve read that although Danny plays a lot of asshole characters that he is really a nice person to work with.
Ana: Yes he is. He and the directors, the writers and the producers were the nicest people, and they are all friends from college. The atmosphere on set was like you were just with friends all the time, and everything was really relaxed. He is the nicest most humble guy and so talented. Like really — he is really, really talented. I would love to work with him again. He’s pretty hot. He’s really smart and educated. He’s really different.
CE: What other projects do you have coming up?
Ana: I do a lot of dramas in Mexico. I have another HBO show; it’s for HBO Latin America that I did for a season two years ago. It’s going to be funny because I’m going to be on HBO in America and HBO in Latin America with different shows. It’s a show called Capadocia. It’s really dark. It’s a big drama.
And I just finished up a movie called Cowboys & Aliens with Jon Favreau directing, and starring Daniel Craig, Sam Rockwell and Harrison Ford. It’s an action adventure film that is really more unusual for me. I have this love story with Sam. It’s a very, very pretty role.
(pictures 2 and 3: Credit HBO/Fred Norris)
Celebrity Extra: The other night I rented Cop Out, and I thought it was hilarious. How was it to work with Bruce Willis and Tracy Morgan?
Ana de la Reguera: It was great. It was a great experience just to watch them work together. They are so different. They come from different schools. They’d improvise a lot. I had a blast. I was a huge fan of Kevin Smith, so for me that was perfect for my career to be close to those people and to learn more about comedy. I worked in New York for one month last year in the summer, and I had the best time.
CE: What did you like most about working on that movie with them?
Ana: I like the freedom that Kevin gave me. The character was pretty much the girl who was really scared, and they save her and are taking care of her. I just thought it would be more interesting if more than being scared, she was mad and pissed about what was going on in her life, about what was happening to her. My whole part is in Spanish, and they couldn’t understand a word of what I was saying. So, Kevin just had to trust me, and I was like, “Oh my gosh, he doesn’t even know what I’m saying.” For me it was cool, but at the same time I was nervous, because I felt like everything depended on me — what I’m saying or that I’m doing the right thing, because they don’t know. I felt really good that they liked what I did and it worked out really well.
CE: Tell me about filming Nacho Libre with Jack Black where you played Sister Encarnacion. I have to tell you that this movie is one of my favorite comedies of the past 10 years — I laughed so hard in some scenes I was crying.
Ana: Oh, thank you! For me it was a blessing because I’m a nun. (Laughs) I’m kidding. We were in Mexico the whole time in a beautiful town called Oaxaca. So, the whole crew was Mexican. The only Americans were literally Jack, Jared (Hess, writer and director) and Mike White (writer). The rest of us were Mexican folks. It was really nice that they were adapting to us. I think Jared did a great job. He’s fluent in Spanish so he did a great job trying to get on the screen our culture and who were are, and he was very respectful about it. We had the best time. Oaxaca is one of the best places to eat, and so I gained a lot of weight because Jack is a good eater. He was eating the whole time.
For me, that movie was my big breakout. I was living in Mexico. I was an actress, of course. I already had a pretty good career there. From that moment I had almost 10 years acting, but I got the part without an agent or anything. I had a plan to go away to American to try to make it in Hollywood, but I couldn’t. I didn’t have the money. But then the movie came to Mexico and I got the part.
CE: That’s great that Hollywood came to you!
Ana: Yeah, but after that movie it’s been pretty hard. It’s really, really hard to keep working. There’s a lot of competition out there. There’s a lot of great Latina actresses out there competing for the same roles. Sometimes I have too much accent or I don’t look Mexican enough or sometimes I don’t have enough accent — it’s weird. I struggle a lot, but now I think I get it. After a couple of years, you learn how L.A. works.
CE: Now fans can catch you in HBO’s outrageous and HILARIOUS comedy, Eastbound & Down, which is hands-down one of my favorite shows out right now. What can you tell me about the part you play, Vida, as well as any plot points you can divulge?
Ana: Well, you know that Kenny leaves April at the gas station. So, he basically disappears and wants to start over and wants to go to a new world, so he goes to Mexico. When he comes, I think it’s going to be really, really fun because his character is not that smart. I think he’s pretty ignorant. He’s in a completely new culture. His weaknesses are much bigger. He meets me there and I’m a singer. He thinks we have a connection because I sing Bob Segar songs, covers, but in Spanish the whole time. It was a lot of fun to record those songs. But I can’t tell you much; I don’t want to ruin the story.
CE: How on Earth do you keep a straight face playing opposite Danny McBride?
Ana: Oh my gosh. It is really, really hard. What helps me is I just block my mind, and I’m not listening to him. Because if not, there have been times when the crew couldn’t even work because they were laughing. The camera guy was laughing, and the camera moved because he was laughing. Those guys are really sweet and we improvised a lot. The way they work is we did the scene as it was written like two or three times, and then they just let us free. They let us do whatever we wanted and say whatever we wanted, and we just improvised over and over. I think that’s really a smart thing to do in a comedy show. Those were the hardest moments, because you didn’t expect what somebody was going to say or do. I had the best time. The people from HBO are the sweetest people. They were so nice to me. I couldn’t ask for more. Literally I had the best time of my life.
CE: All the comedic geniuses you’ve worked with, and you can keep a straight face. Directors should pay heed!
Ana: Yeah, I’m really good at it. You know why? Because what happened to me when I did Nacho Libre is — what I am used to is usually when you film in Mexico, the actual film is so expensive that you are not allowed to be laughing like we were doing (on Nacho Libre). How I am used to working is not being able to do very many takes because it’s so expensive, and we don’t have the budget to ruin the scene just because we were laughing. In Mexico, that would be so bad for the director that you are ruining the film, because we don’t have that much money to spend. For me, doing that is disrespectful to the crew. So, that’s why even though I know that I’m allowed to do it, I’m just trained that way not to laugh. I just try to keep a straight face all the time and then laugh after.
CE: I’ve read that although Danny plays a lot of asshole characters that he is really a nice person to work with.
Ana: Yes he is. He and the directors, the writers and the producers were the nicest people, and they are all friends from college. The atmosphere on set was like you were just with friends all the time, and everything was really relaxed. He is the nicest most humble guy and so talented. Like really — he is really, really talented. I would love to work with him again. He’s pretty hot. He’s really smart and educated. He’s really different.
CE: What other projects do you have coming up?
Ana: I do a lot of dramas in Mexico. I have another HBO show; it’s for HBO Latin America that I did for a season two years ago. It’s going to be funny because I’m going to be on HBO in America and HBO in Latin America with different shows. It’s a show called Capadocia. It’s really dark. It’s a big drama.
And I just finished up a movie called Cowboys & Aliens with Jon Favreau directing, and starring Daniel Craig, Sam Rockwell and Harrison Ford. It’s an action adventure film that is really more unusual for me. I have this love story with Sam. It’s a very, very pretty role.
(pictures 2 and 3: Credit HBO/Fred Norris)
Jon Huertas: "Nathan Fillion Is Our Spanky"
Jon Huertas is one busy man. Aside from his busy schedule as Det. Javier Esposito on ABC's hit crime drama Castle, he is also quite a presence in Twitter-verse. He is auctioning himself off, so to speak, for TwitChange, the charity that is "changing the world, one tweet at a time." You can find Jon's auction here, where if you win the auction, Jon will follow you on Twitter, retweet at least one of your tweets to his followers and last, but certainly not least, he will invite the winner to the Castle set as his personal guest. His auction, along with the auctions of hundreds of other celebs, ends Sept. 25, so get on over there and help make a change!
In the meantime, I had the chance to catch up with Jon and tried to get him to spill some details on the upcoming season of Castle, which returns for its third season Monday night, Sept. 20, 10/9c.
Celebrity Extra: You are most well known for your present role of Det. Esposito on Castle, although I know you've had other great roles previously. How did the role of Esposito come about for you?
Jon Huertas: I was in Africa for about eight months shooting that HBO miniseries Generation Kill, and I had just finished that. That was the first time I had played a character who was more like me. We were so much alike, me and my character in Generation Kill, that I wanted to do more of that. I wanted to be able to bring my own experiences in life to a role. Javier Esposito is kind of like a blank canvas. I went in and had my own take on it. Andrew Marlowe, the creator of Castle, responded to that. I was allowed to help create the character of Esposito, help create his back story. Javier has a formal military background. It was really an amazing process that a lot of actors don’t get to experience. I thought it was just an opportunity to be an artist in this industry as an actor.
CE: For me, the writing for Castle is just some of the best in the industry today, with each character being just as important as the "lead" characters.
JH: Oh absolutely. I’ve never been on a show that had such tremendous writing. I think Andrew came from the world of feature films, and in the features world you flesh out and develop characters, and you have only two hours to tell a story. In television, you have a ton of time to develop and play with characters. I think that’s Andrew’s whole vibe. I think he hires writers who kind of have the same mind-set. That’s why I think a lot of people fall in love with all of the characters of the show.
CE: One of my favorite episodes of last season was the one that focused on Esposito and his former partner, whom he thought was dead. You must have been excited when you got the script and saw the meaty part you had in it.
JH: Yes, definitely. When I read that script, people had been throwing hints at me on previous episodes: You’ve got a great script coming up; you’ve got a great script coming up. When I read it, I was just like, “Wow.” Will Beall, the writer who wrote that episode, is actually a former homicide detective. He and I have a lot in common. Me being former military; him being a former homicide detective. We kind of have the regiment — like it’s a regiment of life you have to live by, so we have that in common. We’ve always kind of bonded, and I think he really got me and got my character, and it was such a great experience to just be able to go a little deeper. I got to go a lot deeper in that episode.
CE: Aside from a lot of the serious subject matter of the show, you guys look like you have a lot of fun on the set.
JH: We have fun all the time. We’re like a bunch of kids who have been given the greatest gift in the world, and that’s basically recess and playtime all day long. We take advantage of it. Nathan and I and Seamus really, I think, we’re the three who are the biggest kids on set, and each kid is different, of course. We laugh so much on set, and we get along so well with the crew. The crew is also an amazing crew, and I think it’s because when we did the pilot, we all came together — the actors, producers Rob Bowman, Andrew Marlowe — and we said, "Let’s establish a no-asshole policy on the set." So nobody can be an asshole on the set. If they are, they get called on it and are told they better stop or they’re hitting the road, so nobody’s ever an asshole. Why wouldn’t you want to keep working on Castle?
CE: When I spoke with Nathan last year, he said that you and Seamus were his Rosencrantz and Guildenstern. What would you call Nathan?
J: Let me think. That’s funny, Nathan. I think I would call Nathan our Spanky from The Little Rascals. Yes — Nathan, he’s our Spanky.
CE: Give me a little tease; what can we expect for season 3?
JH: Well, for season 3 you can expect, from my character in particular, I’m going to have a little bit of an on-screen romance with another member of the cast, female member. A lot of people, I think, have been rooting for that. I’ve been told this happens for sure. Also, for the first episode, there’s a big surprise. Our first suspect in the murder that we are investigating, our first suspect surprises everybody. Other than that I think you are going to see a lot more fleshing out of the satellite characters — Seamus’ character, my character, Tamala’s character. There’s going to be a lot more of that.
CE: Can you tell me a bit about the charity you are involved with, Puppies Behind Bars?
JH: Puppies Behind Bars, I sit on the Board of Directors for that charity. It’s a charity that we train puppies from the age of six weeks to 18 months behind bars, in prison. Our inmates who are in this program, I think, are the best-trained dog trainers in the world. We have dog trainers who are world-renowned dog trainers who go into the prison and teach these guys how to train puppies. We give the puppies to servicemen who have suffered from PTSD, traumatic brain injury, even physical injury. These animals are amazing. They not only rehabilitate the veterans who get these dogs and help them through life on a daily basis, they also rehabilitate the inmates who are training them. These inmates now feel like they have purpose; they have a reason to be. They’ve been taken away from society for so long that they are finally able to give back to society.
In the meantime, I had the chance to catch up with Jon and tried to get him to spill some details on the upcoming season of Castle, which returns for its third season Monday night, Sept. 20, 10/9c.
Celebrity Extra: You are most well known for your present role of Det. Esposito on Castle, although I know you've had other great roles previously. How did the role of Esposito come about for you?
Jon Huertas: I was in Africa for about eight months shooting that HBO miniseries Generation Kill, and I had just finished that. That was the first time I had played a character who was more like me. We were so much alike, me and my character in Generation Kill, that I wanted to do more of that. I wanted to be able to bring my own experiences in life to a role. Javier Esposito is kind of like a blank canvas. I went in and had my own take on it. Andrew Marlowe, the creator of Castle, responded to that. I was allowed to help create the character of Esposito, help create his back story. Javier has a formal military background. It was really an amazing process that a lot of actors don’t get to experience. I thought it was just an opportunity to be an artist in this industry as an actor.
CE: For me, the writing for Castle is just some of the best in the industry today, with each character being just as important as the "lead" characters.
JH: Oh absolutely. I’ve never been on a show that had such tremendous writing. I think Andrew came from the world of feature films, and in the features world you flesh out and develop characters, and you have only two hours to tell a story. In television, you have a ton of time to develop and play with characters. I think that’s Andrew’s whole vibe. I think he hires writers who kind of have the same mind-set. That’s why I think a lot of people fall in love with all of the characters of the show.
CE: One of my favorite episodes of last season was the one that focused on Esposito and his former partner, whom he thought was dead. You must have been excited when you got the script and saw the meaty part you had in it.
JH: Yes, definitely. When I read that script, people had been throwing hints at me on previous episodes: You’ve got a great script coming up; you’ve got a great script coming up. When I read it, I was just like, “Wow.” Will Beall, the writer who wrote that episode, is actually a former homicide detective. He and I have a lot in common. Me being former military; him being a former homicide detective. We kind of have the regiment — like it’s a regiment of life you have to live by, so we have that in common. We’ve always kind of bonded, and I think he really got me and got my character, and it was such a great experience to just be able to go a little deeper. I got to go a lot deeper in that episode.
CE: Aside from a lot of the serious subject matter of the show, you guys look like you have a lot of fun on the set.
JH: We have fun all the time. We’re like a bunch of kids who have been given the greatest gift in the world, and that’s basically recess and playtime all day long. We take advantage of it. Nathan and I and Seamus really, I think, we’re the three who are the biggest kids on set, and each kid is different, of course. We laugh so much on set, and we get along so well with the crew. The crew is also an amazing crew, and I think it’s because when we did the pilot, we all came together — the actors, producers Rob Bowman, Andrew Marlowe — and we said, "Let’s establish a no-asshole policy on the set." So nobody can be an asshole on the set. If they are, they get called on it and are told they better stop or they’re hitting the road, so nobody’s ever an asshole. Why wouldn’t you want to keep working on Castle?
CE: When I spoke with Nathan last year, he said that you and Seamus were his Rosencrantz and Guildenstern. What would you call Nathan?
J: Let me think. That’s funny, Nathan. I think I would call Nathan our Spanky from The Little Rascals. Yes — Nathan, he’s our Spanky.
CE: Give me a little tease; what can we expect for season 3?
JH: Well, for season 3 you can expect, from my character in particular, I’m going to have a little bit of an on-screen romance with another member of the cast, female member. A lot of people, I think, have been rooting for that. I’ve been told this happens for sure. Also, for the first episode, there’s a big surprise. Our first suspect in the murder that we are investigating, our first suspect surprises everybody. Other than that I think you are going to see a lot more fleshing out of the satellite characters — Seamus’ character, my character, Tamala’s character. There’s going to be a lot more of that.
CE: Can you tell me a bit about the charity you are involved with, Puppies Behind Bars?
JH: Puppies Behind Bars, I sit on the Board of Directors for that charity. It’s a charity that we train puppies from the age of six weeks to 18 months behind bars, in prison. Our inmates who are in this program, I think, are the best-trained dog trainers in the world. We have dog trainers who are world-renowned dog trainers who go into the prison and teach these guys how to train puppies. We give the puppies to servicemen who have suffered from PTSD, traumatic brain injury, even physical injury. These animals are amazing. They not only rehabilitate the veterans who get these dogs and help them through life on a daily basis, they also rehabilitate the inmates who are training them. These inmates now feel like they have purpose; they have a reason to be. They’ve been taken away from society for so long that they are finally able to give back to society.
Labels:
ABC,
Castle,
Gisele Bundchen,
interviews,
Jon Huertas,
Nathan Fillion,
Seamus Dever,
tv
Interview: Patricia Wettig Is The 19th Wife
Patricia Wettig first caught our eye as Nancy Weston on “thirtysomething,” the nighttime drama that broke ground on every front, paving the way for many series to follow in its footsteps. The “Brothers and Sisters” star is currently starring in the Lifetime original movie “The 19th Wife,” which premieres tonight, Sept. 13 at 9 p.m. ET/PT. Patricia plays BeckyLyn, the 19th wife of Mormon Sawyer Scott, who is accused of murdering her husband.
Daytime Dial: The role of BeckyLyn is different from any role I’ve ever seen you do. What was it about her — how did you connect with her — to made you want this role?
Patricia Wettig: I know! It is so different. It’s that fervor … that religion thing. My great-grandmother was married to a Methodist minister. And when I was growing up, she was the person I was closest to of anyone in the whole world. And she had a certain sternness about her and a certain way of doing things. But with me, she was always so loving and so kind and so soft. And nobody else responded to her like that. I don’t know what that was. And she died when I was 9 years old, and it was just such a huge loss to me. But I think it’s a little bit about her — that way about being so absolute in your faith. At least I hope I portrayed it that way. I haven’t seen the movie yet myself. Like the way she connects to her son, that underneath it all is this loving, touching place.
DD: That’s definitely what I was thinking of when you told me that with you she was very sweet and tender. I pictured BeckyLyn’s interaction with her son the moment you mentioned that, so it definitely comes off that way.
PW: Oh good! And Matt (Czuchry) was wonderful to work with. We just sort of had this instant chemistry, and that is such a blessing for an actor, I have to say. I thought that that was a really central thing for this part. And you never know who you’re going to be cast with. It was really lovely to work with him, I have to say.
DD: The way these people are thinking and living, it’s pretty way out there for most Americans. How did you relate?
PW: I guess I had to take it off of something in my own life. You have to personalize it in some ways because it is certainly not the way I live my own life and it’s not my religion. But I think I had to personalize it in the way that, what are the things that I have unshakable faith in? What are the things I would not put into jeopardy?
DD: I have to commend the writers of it and your performance of her, because she could have very easily been an unlikable character, but she wasn’t. During the jail visits, as we get to know your character, we get to see the pureness in her. You can’t not like her.
PW: Oh good. Yes, I do think it’s almost an innocence. Like a purity is how it was coming off to me on the page when I was reading it. It’s like she never really grew up and thought and formed her own thinking. And I think it’s really true for a lot of women in that sect; it’s almost like a brainwashing, like a blind faith. And other people say, well, that’s what faith is. It’s almost like being innocent and young and not looking at all the other possibilities.
DD: This is definitely going to be an eye-opener for some people as they watch this. We know what we read in the news, about Warren Jeffs, and we get the glamorized version with HBO’s “Big Love.”
PW: I like “Big Love” too, but that’s sort of the “fun” version of plural marriage. Look how handsome he is, and all of the three of the wives are so pretty. They do get into stuff, but still it all looks rather pretty to me. I don’t think it is pretty a lot of the time. When we talk about a 60-year-old man marrying a 15-year-old girl, that’s not pretty. That’s not OK with me. I’m sorry, but that’s not all right with me!
Daytime Dial: The role of BeckyLyn is different from any role I’ve ever seen you do. What was it about her — how did you connect with her — to made you want this role?
Patricia Wettig: I know! It is so different. It’s that fervor … that religion thing. My great-grandmother was married to a Methodist minister. And when I was growing up, she was the person I was closest to of anyone in the whole world. And she had a certain sternness about her and a certain way of doing things. But with me, she was always so loving and so kind and so soft. And nobody else responded to her like that. I don’t know what that was. And she died when I was 9 years old, and it was just such a huge loss to me. But I think it’s a little bit about her — that way about being so absolute in your faith. At least I hope I portrayed it that way. I haven’t seen the movie yet myself. Like the way she connects to her son, that underneath it all is this loving, touching place.
DD: That’s definitely what I was thinking of when you told me that with you she was very sweet and tender. I pictured BeckyLyn’s interaction with her son the moment you mentioned that, so it definitely comes off that way.
PW: Oh good! And Matt (Czuchry) was wonderful to work with. We just sort of had this instant chemistry, and that is such a blessing for an actor, I have to say. I thought that that was a really central thing for this part. And you never know who you’re going to be cast with. It was really lovely to work with him, I have to say.
DD: The way these people are thinking and living, it’s pretty way out there for most Americans. How did you relate?
PW: I guess I had to take it off of something in my own life. You have to personalize it in some ways because it is certainly not the way I live my own life and it’s not my religion. But I think I had to personalize it in the way that, what are the things that I have unshakable faith in? What are the things I would not put into jeopardy?
DD: I have to commend the writers of it and your performance of her, because she could have very easily been an unlikable character, but she wasn’t. During the jail visits, as we get to know your character, we get to see the pureness in her. You can’t not like her.
PW: Oh good. Yes, I do think it’s almost an innocence. Like a purity is how it was coming off to me on the page when I was reading it. It’s like she never really grew up and thought and formed her own thinking. And I think it’s really true for a lot of women in that sect; it’s almost like a brainwashing, like a blind faith. And other people say, well, that’s what faith is. It’s almost like being innocent and young and not looking at all the other possibilities.
DD: This is definitely going to be an eye-opener for some people as they watch this. We know what we read in the news, about Warren Jeffs, and we get the glamorized version with HBO’s “Big Love.”
PW: I like “Big Love” too, but that’s sort of the “fun” version of plural marriage. Look how handsome he is, and all of the three of the wives are so pretty. They do get into stuff, but still it all looks rather pretty to me. I don’t think it is pretty a lot of the time. When we talk about a 60-year-old man marrying a 15-year-old girl, that’s not pretty. That’s not OK with me. I’m sorry, but that’s not all right with me!
David Charvet Is The Perfect Teacher
David Charvet is well known to fans as a hunky lifeguard on “Baywatch,” but he stretched his fan base even further when he went on to star on the nighttime soap “Melrose Place.” Since then, he has been busy with his music career, being a father to his four kids (with fiancee Brooke Burke) as well as fitting in a movie here and there when his schedule permits. His latest movie is the Lifetime Movie Network thriller “The Perfect Teacher” (which airs Sept. 12 at 8 p.m. ET), where David stars as a good-looking young teacher who becomes the object of desire for one misguided student.
Celebrity Extra: Tell me a bit about the movie and your role in it.
David Charvet: “The Perfect Teacher” is about an actual story that happened with a student and a math teacher. This is kind of an issue that happens a lot nowadays, where younger women, high-school girls, fall in love with their teachers. For me, it was kind of interesting to play a teacher, because I have never played one before. After having four children, I also wanted to play a father. So, for me, those two elements were really more interesting to explore as an actor.
CE: How could you relate to your character, Jim?
DC: Being a father is something I can really relate to and really wanted to play. The other thing was, he’s a good guy. He loves his family and he’ll do anything for his kid. He’s a hard worker and he has a lot of passion for life. I can really relate to that. I have a lot of passion for life and I really love to do everything at 100 percent. That’s the kind of character he was.
CE: As a father of daughters, was it difficult for you to play a teacher who becomes the object of a young girl’s affection and fantasies?
DC: Funny enough, that was kind of the hardest thing for me for this role, to actually be able to justify that when this girl is coming on to me that I don’t completely see it. Obviously, Jim knew that she was kind of flirtatious, but that it wasn’t really going anywhere, especially with my girlfriend also being one of her teachers. I think that he’s figured it all out kind of toward the end. Sometimes I think that guys are like that. Guys aren’t always figuring things out right away, and it takes them a little bit of time, especially in the woman department. He honestly felt that she was a girl who was a little lost herself.
CE: How was it to work with Megan Park (“The Secret Life of an American Teenager”)?
DC: Megan did a great job on this. I have to say that it probably was not the easiest role in the world, and I think she did really well. I actually saw the movie a couple of weeks ago, and I thought she played it right. Sometimes you can play this so over the top, and she didn’t do that. She kept it real. I think we all tried to keep it as true as possible and make it as real as possible, that if these circumstances really did happen we wouldn’t look like we were completely out there.
CE: What is the lesson learned from this movie?
DC: The biggest message is what can happen to somebody who is actually trying to do his job and be a good teacher. This is happening in schools today, so we are just kind of portraying a story that could possibly happen. I think it’s important for people out there, especially young kids, to realize that they could actually ruin someone’s life when their schemes get out of hand.
Celebrity Extra: Tell me a bit about the movie and your role in it.
David Charvet: “The Perfect Teacher” is about an actual story that happened with a student and a math teacher. This is kind of an issue that happens a lot nowadays, where younger women, high-school girls, fall in love with their teachers. For me, it was kind of interesting to play a teacher, because I have never played one before. After having four children, I also wanted to play a father. So, for me, those two elements were really more interesting to explore as an actor.
CE: How could you relate to your character, Jim?
DC: Being a father is something I can really relate to and really wanted to play. The other thing was, he’s a good guy. He loves his family and he’ll do anything for his kid. He’s a hard worker and he has a lot of passion for life. I can really relate to that. I have a lot of passion for life and I really love to do everything at 100 percent. That’s the kind of character he was.
(Photo Credit: Albert Camicioli/Lifetime Movie Network)
CE: As a father of daughters, was it difficult for you to play a teacher who becomes the object of a young girl’s affection and fantasies?
DC: Funny enough, that was kind of the hardest thing for me for this role, to actually be able to justify that when this girl is coming on to me that I don’t completely see it. Obviously, Jim knew that she was kind of flirtatious, but that it wasn’t really going anywhere, especially with my girlfriend also being one of her teachers. I think that he’s figured it all out kind of toward the end. Sometimes I think that guys are like that. Guys aren’t always figuring things out right away, and it takes them a little bit of time, especially in the woman department. He honestly felt that she was a girl who was a little lost herself.
CE: How was it to work with Megan Park (“The Secret Life of an American Teenager”)?
DC: Megan did a great job on this. I have to say that it probably was not the easiest role in the world, and I think she did really well. I actually saw the movie a couple of weeks ago, and I thought she played it right. Sometimes you can play this so over the top, and she didn’t do that. She kept it real. I think we all tried to keep it as true as possible and make it as real as possible, that if these circumstances really did happen we wouldn’t look like we were completely out there.
CE: What is the lesson learned from this movie?
DC: The biggest message is what can happen to somebody who is actually trying to do his job and be a good teacher. This is happening in schools today, so we are just kind of portraying a story that could possibly happen. I think it’s important for people out there, especially young kids, to realize that they could actually ruin someone’s life when their schemes get out of hand.
CONCERT REVIEW: Paramore's Honda Civic Tour
(by Celebrity Extra guest blogger Sarah Larson)
Upon walking into the vast arena at the University of Central Florida in Orlando for a night of pop-punk delight, I was greeted with a fast-paced rendition of The Cardigans’ “Kiss Me” by openers New Found Glory, and immediately I knew it was going to be a good show.
The 2010 Honda Civic Tour featured rookie Swedish group Kadawatha, ’90s vets New Found Glory, femme duo Tegan and Sara, and stage-commanding headliners Paramore. Each band brought a growing sense of energy to the stage what with Kadawatha’s ear-popping vocals, New Found Glory’s dance tracks, and Tegan and Sara’s moody instrumentals. But Paramore reached the pinnacle of intensity with its veritable firecracker of a lead singer, Hayley Williams.
At no more than 5’1” with a black tank top monogrammed “B.O.Y.”, this orange-haired munchkin had the energy of a cocker spaniel and the vocal stability of Aretha Franklin. Her bubbly persona was absolutely mesmerizing, and her clear, perfected singing voice somehow remained so through a series of power ballads like “Decode” and “Pressure” (during which Williams head banged violently or sprinted across the stage … or both).
Halfway through the set, Paramore showed its versatility with a country-themed tribute to its Tennessee roots on a cover of Martina McBride’s “You Ain’t Woman Enough” and acoustic numbers “When It Rains” and “Where the Lines Overlap.” But the real treat of the show was the audio-visual overload that was its encore performance. Still flitting about the stage, Williams belted the chorus to her triumphant “Misery Business” (an adage for high school girls everywhere) as megatron graphics flashed the word “RIOT” and confetti the color of her hair began to fall. Needless to say, I was pleased to leave the arena with a head full of catchy tunes and a faint nostalgia of my junior prom … minus the bad DJ.
Upon walking into the vast arena at the University of Central Florida in Orlando for a night of pop-punk delight, I was greeted with a fast-paced rendition of The Cardigans’ “Kiss Me” by openers New Found Glory, and immediately I knew it was going to be a good show.
The 2010 Honda Civic Tour featured rookie Swedish group Kadawatha, ’90s vets New Found Glory, femme duo Tegan and Sara, and stage-commanding headliners Paramore. Each band brought a growing sense of energy to the stage what with Kadawatha’s ear-popping vocals, New Found Glory’s dance tracks, and Tegan and Sara’s moody instrumentals. But Paramore reached the pinnacle of intensity with its veritable firecracker of a lead singer, Hayley Williams.
At no more than 5’1” with a black tank top monogrammed “B.O.Y.”, this orange-haired munchkin had the energy of a cocker spaniel and the vocal stability of Aretha Franklin. Her bubbly persona was absolutely mesmerizing, and her clear, perfected singing voice somehow remained so through a series of power ballads like “Decode” and “Pressure” (during which Williams head banged violently or sprinted across the stage … or both).
Halfway through the set, Paramore showed its versatility with a country-themed tribute to its Tennessee roots on a cover of Martina McBride’s “You Ain’t Woman Enough” and acoustic numbers “When It Rains” and “Where the Lines Overlap.” But the real treat of the show was the audio-visual overload that was its encore performance. Still flitting about the stage, Williams belted the chorus to her triumphant “Misery Business” (an adage for high school girls everywhere) as megatron graphics flashed the word “RIOT” and confetti the color of her hair began to fall. Needless to say, I was pleased to leave the arena with a head full of catchy tunes and a faint nostalgia of my junior prom … minus the bad DJ.
Interview: Marnie Schulenburg Discusses the End of As the World Turns
After 54 years and more than 13,000 episodes, the “World” will stop spinning for cast, crew and fans of the longest-running soap opera on television today. As the World Turns will air its final episode on Sept. 17. I caught up with Marnie Schulenburg (who has played Alison Stewart since March 2007) recently to discuss the show, those last days on the set and her plans for the future.
Daytime Dial: When you heard the news that the show was going to be canceled, how did you react, and what was the general consensus around the set?
Marnie Schulenburg: I found out, I think it was right before Christmas, and I think it was solidified in January. That’s an awful time in general for people to find out, just because that’s supposed to be the happiest, giving time of year, and to know that your job and source of income is coming to an end is difficult for everybody. I’m younger, and I have less responsibility. I have a lot more freedom to be allowed to be out of a job. But a lot of the people on the show have lots of kids, or they have families, or it’s been their life. So, for me it was just sad watching people who had pretty much become my family for the past three and a half years go through that and the many different levels of what that means. From anger to sadness, feeling nostalgia to being sentimental — everybody has a different way of coping and dealing, and to watch people you love go through that is really difficult and sad.
DD: And like you said, you all really are like a family, so it’s like your family is being broken up.
MS: It really is, especially for the people like Don Hastings, Kathryn Hays and Eileen Fulton — the people who have been on the show since almost the beginning. Some people have pursued careers outside of the soap more than others. Some have kept busy with other projects, but those who really mainly focused on the soap and just had their families, it’s like the possibility of a career outside of that, they wonder, is that something that they even want to pursue? Is it time to retire? So, that is really difficult, too.
DD: A lot of actors, like those from Guiding Light, are finding work on remaining soaps. The cancellation of ATWT could give some actors new opportunities, and might even compel ATWT viewers to watch a new soap to follow that actor, creating higher numbers for the shows that do remain on the air.
MS: I feel like a lot of us are very versatile actors. I just read an article that quoted, I believe it was Les Moonves of CBS, saying that he wasn’t sure if there was a place for daytime anymore. The medium is changing. But since there are soaps leaving, then those viewers could then go over to another network and watch another show. That is very probable. But even with that being said, the viewership isn’t what it was even three years ago. We aren’t losing all the viewers; there are just different ways that they are watching our show, and it’s really difficult to monitor that and then prove to the networks that we are still maintaining popularity. I can tell them that half of my family and friends are TiVoing it and DVRing it or watching it online, but until we are able to monitor this source of how people are watching our show, what can we do?
DD: So, take me back to that final day of shooting. What was it like on the set?
MS: Once we found out, everybody went through different phases of coping: sadness to anxiety to anger to relief to whatever. But the last couple of days it was like, whatever stress people had, including myself, about where are we going and how were we going to make a living, that kind of melted away. Everything was relished. Everything was given respect, and it wasn’t rushed; it was honored. The last day, everybody clapped after everybody’s scene. Anytime anyone was done, we would all clap, and that was a wrap for them. That we were given that respect, that was really great.
There were an insane amount of pictures taken and a lot of crying. We did the last scene of the day with Don Hastings, Marie Masters and Kathy Hayes — three of the best, three really great people who started the show. When they were done, everybody came out and took pictures. Everybody on the show stayed, across the board, and we all made toasts for two hours — everybody toasting to one another and saying things that they made sure they wanted said. It was really beautiful.
DD: I know you can’t tell me how the show will end, but can you give me a little hint?
MS: It’s definitely going to be, I’d say for most of the people, a happy ending. For any character who doesn’t get one, I think they have pretty much already wrapped that up. Our fans are really in tune with the story lines and where they think characters are going to go. They are normally pretty much right on the nose with how stuff ends up. We want people to leave the show with a good feeling. It’s resolved and happy, and they can leave remembering the characters in a positive light. You won’t see anything extreme. They really want to keep it grounded, honest, compelling and resolved. A resolution for everybody to leave so they feel it has a poignant finish.
DD: Would you consider a role on another soap, or do you want to go in a different direction?
MS: If I got a job, I wouldn’t turn it down. I don’t think I’m going to go out of my way to pursue another job on another soap. I just don’t think it would be the same. I don’t think any show would ever be the same. ATWT changed my life. It changed how I am as an actor. I learned so much from it. I don’t think that anything could ever really give me that type of satisfaction.
Daytime Dial: When you heard the news that the show was going to be canceled, how did you react, and what was the general consensus around the set?
Marnie Schulenburg: I found out, I think it was right before Christmas, and I think it was solidified in January. That’s an awful time in general for people to find out, just because that’s supposed to be the happiest, giving time of year, and to know that your job and source of income is coming to an end is difficult for everybody. I’m younger, and I have less responsibility. I have a lot more freedom to be allowed to be out of a job. But a lot of the people on the show have lots of kids, or they have families, or it’s been their life. So, for me it was just sad watching people who had pretty much become my family for the past three and a half years go through that and the many different levels of what that means. From anger to sadness, feeling nostalgia to being sentimental — everybody has a different way of coping and dealing, and to watch people you love go through that is really difficult and sad.
DD: And like you said, you all really are like a family, so it’s like your family is being broken up.
MS: It really is, especially for the people like Don Hastings, Kathryn Hays and Eileen Fulton — the people who have been on the show since almost the beginning. Some people have pursued careers outside of the soap more than others. Some have kept busy with other projects, but those who really mainly focused on the soap and just had their families, it’s like the possibility of a career outside of that, they wonder, is that something that they even want to pursue? Is it time to retire? So, that is really difficult, too.
DD: A lot of actors, like those from Guiding Light, are finding work on remaining soaps. The cancellation of ATWT could give some actors new opportunities, and might even compel ATWT viewers to watch a new soap to follow that actor, creating higher numbers for the shows that do remain on the air.
MS: I feel like a lot of us are very versatile actors. I just read an article that quoted, I believe it was Les Moonves of CBS, saying that he wasn’t sure if there was a place for daytime anymore. The medium is changing. But since there are soaps leaving, then those viewers could then go over to another network and watch another show. That is very probable. But even with that being said, the viewership isn’t what it was even three years ago. We aren’t losing all the viewers; there are just different ways that they are watching our show, and it’s really difficult to monitor that and then prove to the networks that we are still maintaining popularity. I can tell them that half of my family and friends are TiVoing it and DVRing it or watching it online, but until we are able to monitor this source of how people are watching our show, what can we do?
DD: So, take me back to that final day of shooting. What was it like on the set?
MS: Once we found out, everybody went through different phases of coping: sadness to anxiety to anger to relief to whatever. But the last couple of days it was like, whatever stress people had, including myself, about where are we going and how were we going to make a living, that kind of melted away. Everything was relished. Everything was given respect, and it wasn’t rushed; it was honored. The last day, everybody clapped after everybody’s scene. Anytime anyone was done, we would all clap, and that was a wrap for them. That we were given that respect, that was really great.
There were an insane amount of pictures taken and a lot of crying. We did the last scene of the day with Don Hastings, Marie Masters and Kathy Hayes — three of the best, three really great people who started the show. When they were done, everybody came out and took pictures. Everybody on the show stayed, across the board, and we all made toasts for two hours — everybody toasting to one another and saying things that they made sure they wanted said. It was really beautiful.
DD: I know you can’t tell me how the show will end, but can you give me a little hint?
MS: It’s definitely going to be, I’d say for most of the people, a happy ending. For any character who doesn’t get one, I think they have pretty much already wrapped that up. Our fans are really in tune with the story lines and where they think characters are going to go. They are normally pretty much right on the nose with how stuff ends up. We want people to leave the show with a good feeling. It’s resolved and happy, and they can leave remembering the characters in a positive light. You won’t see anything extreme. They really want to keep it grounded, honest, compelling and resolved. A resolution for everybody to leave so they feel it has a poignant finish.
DD: Would you consider a role on another soap, or do you want to go in a different direction?
MS: If I got a job, I wouldn’t turn it down. I don’t think I’m going to go out of my way to pursue another job on another soap. I just don’t think it would be the same. I don’t think any show would ever be the same. ATWT changed my life. It changed how I am as an actor. I learned so much from it. I don’t think that anything could ever really give me that type of satisfaction.
Subscribe to:
Posts (Atom)
Most Recent
Popular Posts
-
Annie Potts, photo by Bob D'Amico/ABC Unless you've been living under a rock these past few weeks, you know that ABC's new hour-...
-
Throughout her career, Jaclyn Smith has been known as a trendsetter — whether it’s with her clothing, your hairstyles, etc. From Breck girl...
-
When I think of Beth Littleford , the first thing that comes to my mind are those hilarious mockumentary-type interviews she did with celebr...
-
(photo credit Geno Nicholas) The kids of West Beverly High School have finally graduated. Some will go to college; some will go right to wo...
-
To most of her fans, Rachel Fine is known as the co-host of the weekly comedy news series “The Bonus Show” for Howard TV on Demand, the cab...
-
Marshall Hilliard If you’ve tuned in to “General Hospital,” “Days of Our Lives” or “The Young and the Restless” recently, then you’ve seen a...
-
For those of you who know Lacey Chabert only from her role of the young and sweet Claudia Salinger from the 1990s hit nighttime drama “Part...
-
Courtney Thorne-Smith is no stranger to comedy. While she may have had her big break starring as Allison Parker on nighttime soap “Melrose ...
-
Maura Tierney is returning to television in 2011, after successfully battling breast cancer since August 2009. Maura was originally cast in...
-
Jim Carrey , 48, and Jenny McCarthy , 37, (pictured left, at Jim's Yes Man premiere) have taken to Twitter to announce their breakup. T...
Blog Archive
-
▼
2010
(180)
-
▼
September
(7)
- Interview: Can Ana de la Reguera Tame Kenny Powers?
- Jon Huertas: "Nathan Fillion Is Our Spanky"
- Interview: Patricia Wettig Is The 19th Wife
- David Charvet Is The Perfect Teacher
- CONCERT REVIEW: Paramore's Honda Civic Tour
- Interview: Marnie Schulenburg Discusses the End of...
- Conan O'Brien's New Show Will Be Named ...
-
▼
September
(7)
Labels
007
11-22-63
2010 Emmy Awards
2011 Emmy Awards
2012 Emmy Awards
2013 Emmy Awards
21 Jump Street
24
24: Live Another Day
30 Rock
7th Heaven
90210
98 Degrees
A and E
A Gifted Man
A Sister's Revenge
A Young Doctor's Notebook
Aaron Eckhart
Aaron Fechter
ABC
ABC Family
Abraham Lincoln: Vampire Hunter
Academy Awards
Accidentally in Love
Adam Ant
Adam Ant is the Blueblack Hussar in Marrying the Gunner’s Daughter
Adam Fergus
Adam Korson
Adrien Brody
AE
Aerosmith
Against the Wall
Aiden Turner
Al Pacino
Alcatraz
Alex Trebek
Alexander Ludwig
Alexander Skarsgard
Alicia Keys
Alicia Silverstone
Alina Adams
Alison Sweeney
All in the Family
All the Way to Mars
Along Came a Nanny
Alyssa Milano
AMC
Amelia Rose Blaire
America Now
America's Most Wanted
American Horror Story
American Idol
American Psycho
Amy Poehler
Amy Ryan
Ana de la Reguera
Ana Ortiz
Anchorman
Andie MacDowell
Andy Whitfield
Angela Kinsey
Angela Robinson
Angie Harmon
Animal Planet
Ann-Marie Johnson
Anna Chlumsky
Annabeth Gish
Annie Potts
Anthony Hopkins
Anthony LaPaglia
Anthony Michael Hall
Apolo Ohno
Aquarius
Army Wives
Arnold Schwarzenegger
Ashton Kutcher
Atonement
Austenland
Austin Powers
Avatar
Awkward
Back to Bosnia
Bag of Bones
Banshee
Bates Motel
Bates Motel Major Crimes
Battlefield Detectives
Battlestar Galactica
Beau Mirchoff
Beauty and the Beast
Being Erica
Being Human
Bellamy Young
Ben and Kate
Ben McKenzie
Benedict Cumberbatch
Berserkers
Beth Littleford
Beth Riesgraf
Bethenny Frankel
Bethenny's Getting Married
Betty White
Beverly Hills Cop
Big Brother
Big Life
Big Love
Bill Condon
Bill Cosby
Bill Paxton
Bill Pullman
Billy Campbell
Blair Underwood
Blood Dolphins
Blue Bloods
Boardwalk Empire
Bob Barker
Body by Bethenny
Body of Proof
Bond of Silence
Bones
book reviews
books
Bored to Death
Boss
Boston Legal
Brad Garrett
Bradley Cooper
Bradley Whitford
Brandon Beemer
Brandon Quinn
Brandon Routh
Bravo
Breaking Bad
Breaking Dawn
Breaking In
Breaking News
Breckin Meyer
Bree Williamson
Breeana Puttroff
Bret Michaels
Brian Austin Green
Bridesmaids
Bridget Jones
Brigid Brannagh
Brittany Murphy
Brooke Burke
Brooke Burns
Brooke Elliott
Brothers and Sisters
Bruce Willis
Bruno Gunn
Bryan Cranston
Bunheads
Burn Notice
Californication
Call of the Wildman
Call the Midwife
Callum Blue
Cameron Bright
Cameron Mathison
canceled
Captain America
Carly Simon
Carrie Ann Inaba
Carrie Underwood
Casa de mi Padre
Cassandra Clare
Cassidy Freeman
Castle
Cat Stevens
Catching Fire
Catherine Bell
CBS
CCH Pounder
Cedar
Cedar Cove
Celebrity
Celebrity Apprentice
Charlie Sheen
Charlie Weber
Chelsea Handler
Chelsea Rendon
Chevy Chase
China Beach
Chris Carter
Chris Evans
Christian Bale
Christian Slater
Christina Ricci
Christopher Judge
Christopher Meloni
Christopher Plummer
Christopher Walken
Cinemax
City of Bones
Claire Coffee
Claire Danes
Clash of the Titans
Clint Eastwood
Clive Owen
CMT
CNN
Cold Justice
Coldplay
Colin Farrell
Colin Firth
Community
Conan O'Brien
concert review
Connor Jessup
Conspiracy Theory
Contest
Cop Out
Cops
Corbin Bernsen
Corey Haim
Cougar Town
Couples Retreat
Courteney Cox
Courtney Thorne-Smith
Covert Affairs
Cowboys and Aliens
Crackle
Criminal Minds
Crooked Arrows
Crystal Allen
CSI
CSI: Miami
CSI: NY
Current TV
CW
Dallas
Dallas Buyers Club
Damages
Dan Ackroyd
Dana Carvey
Dana Davis
Dana Delany
Dancing With the Stars
Daniel Craig
Daniel Radcliffe
Daniela Ruah
Danielle Konya
Danny Masterson
Danny McBride
Danny Pino
Dark Blue
Dark Minds
Darrell Hammond
Dave Matthews Band
David Arquette
David Blue
David Charvet
David Cross
David Duchovny
David James Elliott
Dawson's Creek
Deadliest Catch
Dean Cain
Def Leppard
Defiance
Deidre Hall
Demi Moore
Dennis Haysbert
Dennis Quaid
Dermot Mulroney
Designing Women
Desperate Housewives
Devious Maids
Dexter
Dirk Benedict
Discovery Channel
Divergent
Dixie Carter
Django Unchained
Do No Harm
Dog the Bounty Hunter
Don Johnson
Don't Trust the B in Apt 23
Donald Faison
Donnie Wahlberg
Downton Abbey
Downtown Abbey
Dragonstone
Drew Barrymore
Drop Dead Diva
Duets
Dustin Hoffman
Dylan McDermott
Dynasty
Eastbound and Down
Eat Drink and Be Married
Eclipse
Ed Asner
Ed Weeks
Eddie Murphy
Eden Sher
Edi Gathegi
Edie Falco
Edward James Olmos
Efren Ramirez
EG Daily
Eileen Davidson
Elaine Hendrix
Eleanor and Park
Elizabeth Perkins
Elizabeth Taylor
Ellen Barkin
Ellen DeGeneres
Em Barrett
Emeril Lagassee
Emile Hirsch
Emily Blunt
Enlightened
Entertainment Tonight
Entourage
Eric Braeden
Eric Dane
Eric Mabius
Eric McCormack
Eric Roberts
Eric Winter
Erin Karpluk
Eva Longoria
Evil Dead
Fairly Legal
Falling Skies
Fame
Family Feud
Fangirl
Fargo
Fatal Honeymoon
Fear Factor
Fifty Shades of Grey
Finding Bigfoot
Finding Nemo
FlashForward
Flashpoint
Flavor Flav
Flavor Flav: The Icon The Memoir
Flowers in the Attic
Food Network
Fox
Frank Caliendo
Franklin and Bash
Fred Armisen
Friday Night Lights
Funny or Die
FX
Gabriel Byrne
Galavant. Spider-Man
Game of Thrones
Game Show Network
Gary Coleman
GCB
General Hospital
Genie Francis
George Clooney
George Lopez
Get on Up
Ghost Whisperer
Gifted Man
Gillian Anderson
Gisele Bundchen
Glee
Glory Daze
Godfrey Gao
Golden Boy
Golden Globe Awards
Gone Girl
Goodnight for Justice
Gotham
Graceland
Grant Show
Grey's Anatomy
Grimm
Growing Pains
Guiding Light
Guiliana Rancic
H2
Hall and Oates
Halle Berry
Hallmark Channel
Hallmark Movie Channel
Hallmark Movies and Mysteries
Hank Williams Jr.
Hannibal
Happy Endings
Hardcore Pawn
Harrison Ford
Harry Potter
Harry's Law
Hart of Dixie
Harvey Keitel
Hatfields and McCoys
Haven
Hawaii Five-O
HawthoRNe
Hayden Panettiere
HBO
He Loves Me
Heather Locklear
Heather MacDonald
Heckler
Helen Hunt
Helena Mattsson
Helix
Hell on Wheels
Henry Cavill
Heroes Reborn
HGTV
High Moon
Hines Ward
History Channel
History Detectives
Hitchcock
Holly Hunter
Hollywood
Home and Family
House of Cards
Housecat Housecall
How to Fall in Love
How to Get Away with Murder
How to Live with Your Parents
How We Got Away With It
Howard Stern
HTGAWM
Hugh Grant
Hulu
Hunger Games
I Saw the Light
Ian McShane
IFC
IMOW
In Living Color
In Plain Sight
In Search of Food
In Treatment
Inception
Inside the Actors Studio
interviews
Into the Dragon's Lair
ION
Iron Man 2
Ironman
J.K. Rowling
Jack Reacher
Jaclyn Smith
Jacqueline Bisset
Jaime Pressly
James Bond
James DuMont
James Spader
James Van Der Beek
Jamie Gray Hyder
Jamie Kennedy
Jamie Luner
Jamie Pressly
Jan-Michael Vincent
Jane Kaczmarek
Jane Lynch
Jane Seymour
Jason Dohring
Jason Priestley
Javier Bardem
Jeff Daniels
Jeff Timmons
Jeffrey Pierce
Jenna Dewan-Tatum
Jennie Garth
Jennifer Aniston
Jennifer Esposito
Jennifer Garner
Jennifer Love Hewitt
Jenny McCarthy
Jeremy Irons
Jeremy Piven
Jeremy Renner
Jeremy Sisto
Jesse James
Jesse Ventura
Jessica Clark
Jim Carrey
Jimmy Fallon
Jimmy Kimmel
JoBeth Williams
John C. McGinley
John Carter
John Hughes
John Krasinski
John O'Hurley
John Stamos
John Turturro
John Walsh
Johnny Carson
Johnny Depp
Jon Hamm
Jon Huertas
Jon Lindstrom
Jonas Brothers
Joseph Fiennes
Joseph Lyle Taylor
Josh Henderson
Josh Holloway
Josh Lucas
Joshua Moore
Josie Bissett
Journey
Judd Nelson
Judy Greer
Judy Reyes
Julia Ormond
Julianne Moore
Julie Andrews
Julie Benz
Jurassic Park
Jurassic World
Justified
Justin Bruening
Justin Osmond
Kali Hawk
Karen Gillan
Kasha Kropinkski
Kasha Kropinski
Kate Gosselin
Kate Hudson
Kate Levering
Kate Winslet
Katherine Heigl
Katherine LaNasa
Kathryn Morris
Kathy Bates
Katie Boland
Katrina Law
Katy Perry
Keith Urban
Kelli Giddish
Kellie Martin
Kelsey Grammer
Kevin Bacon
Kevin Costner
Kevin McHale
Kevin Sorbo
Kim Cattrall
Kim Delaney
Kim Raver
Kirstie Alley
KISS
Klitschko
Kristen Hager
Kristen Stewart
Kristen Wiig
Kristin Bauer
Kristin Bauer van Straten
Kristin Chenowith
Krysten Ritter
Lacey Chabert
Larry Hagman
Laura Dern
Laura Leighton
Lauren Ambrose
Law and Order
Law and Order: SVU
Lea Michele
Lea Thompson
Leah Remini
Leaving Green Island
Leeza Gibbons
Legends
Leonardo DiCaprio
Leven Rambin
Leverage
Liam McIntyre
Liam Neeson
Life's Too Short
Lifetime Movie Network
Lifetime Television
Linda Gray
Linda Ronstadt
Lindsay Lohan
Lindsay Pulsipher
Lindsey McKeon
Lisa Kudrow
Little Boy
Little People Big World
Long Story Short
Longmire
Lost
Love Begins
Luck
Lucy Hale
Luke Mably
Luke Macfarlane
Luke Perry
Lynn Redgrave
Mad Max
Mad Men
Madonna
Magnus Bane
Major Crimes
Marc Cherry
Marg Helgenberger
Mariana Klaveno
Mariette Hartley
Mariska Hargitay
Marisol Nichols
Mark Deklin
Mark Harmon
Mark Pellegrino
Mark Steines
Mark Wahlberg
Mark-Paul Gosselaar
Marnie Schulenburg
Maroon 5
Marshall Hilliard
Martin Freeman
Martin Short
Mary McCormack
Mary McDonnell
Masterpiece Theater
Matthew McConaughey
Maura Tierney
Max Irons
Maya Rudolph
Mean Girls
Measure of a Man
Medium
Meet Monica Velour
Megan Fox
Mel Gibson
Melissa Etheridge
Mellie Grant
Melora Hardin
Melrose Place
Memphis Beat
Men in Black
Men of a Certain Age
Men of the Strip
Merlin
Meryl Streep
Michael C. Hall
Michael Clarke Duncan
Michael Douglas
Michael Gambon
Michael J. Fox
Michael Nardelli
Michael O'Neill
Michael Steger
Michael Vartan
Michael Welch
Michelle Young
Mike Myers
Mind Games
Mind Puppets
Ming-Na
Mira Sorvino
Mirror Mirror
Mission: Impossible
Mistresses
Mistresses. James DuMont
Mob City
Mockingjay
Monday Mornings
movies
Mr Selfridge
Mr. Selfridge
MTV
music
My Name Is Earl
Nacho Libre
Nancy Lee Grahn
Nancy McKeon
Nancy O'Dell
Napoleon Dynamite
Nashville
Natasha Henstridge
Natasha Richardson
Nathan Fillion
Navid Shirazi
NBC
NCIS
NCIS: Los Angeles
NCIS: New Orleans
Neil Patrick Harris
Netflix
New Girl
New Kids on the Block
New Moon
Newsroom
Nicole Forester
Nicole Kidman
Nicole Sullivan
Nicollette Sheridan
Nightline
Nikita
Nirvana
Noah Wyle
nominations
Nurse Jackie
Off the Grid
OMD
Once Upon a Time
One Day
Oprah Winfrey
Outlander
Ovation
Owen Wilson
OWN
Own Your Own
Oxygen
Pan Am
Paper Angels
Paramore
Paranormal Paparazzi
Parenthood
Parker Posey
Parks and Recreation
Party of Five
Patricia Richardson
Patricia Wettig
Patrick Fabian
Patrick Swayze
Patrick Wilson
Paul Ben-Victor
Paul Stanley
Paul Walker
Paula Abdul
PBS
Peeples
Penelope Cruz
People's Choice Awards
Perception
Person of Interest
Peter Facinelli
Peter Gabriel
Peter Sarsgaard
Pierce Brosnan
Pirates of the Caribbean
Poltergeist
Poppy Montgomery
Portlandia
Portrait of Love
Pretty Little Liars
Prime Suspect
Project Greenlight
Psych
Puppy Bowl
Q-and-A
Queen of Versailles
Rachel Boston
Rachel Fine
Rachel Weisz
Rachelle Lefevre
Rainbow Rowell
Rainn Wilson
Ralph Fiennes
Real Housewives
Rebecca Bloom
Rebecca Wisocky
Rectify
Red Dawn
Reign
Rena Sofer
Renee Zellweger
renewed
Rescue Me
Revenge
Ric O'Barry
Richard Marx
Richard Thomas
Ricky Gervais
Ricky Paull Goldin
Ricky Schroder
Ricky Whittle
Ring of Fire
RIP
Rizzoli and Isles
Rob Lowe
Robert De Niro
Robert Pattinson
Robin Williams
Robyn
Rock-afire Explosion
Rookie Blue
Ross Thomas
Royal Pains
Running Wilde
Rupert Grint
Russell Crowe
Russell Ferguson
Ryan O'Neal
Sam Neill
Sam Raimi
Sam Rockwell
Sam Waterston
Samantha Brown
Sandra Bullock
Sarah Chalke
Sarah Larson
Sasha Alexander
Satisfaction
Saturday Night Live
Saving Grace
Scandal
Scott Aukerman
Scott Foley
Scott Turow's Innocent
Scott Wolf
Scoundrels
Seamus Dever
Sean Astin
Sean Bean
Sebastian Pigott
Secret Millionaire
Seeing vs Believing
Seth MacFarlane
Seven Days in Utopia
Sex and the City
Shadow on the Mesa. Wes Brown
Shark Tank
Sharon Lawrence
Shattered Union
Sherlock
Sherry Stringfield
Shooter Jennings
Should've Been Romeo
Showtime
Signed Sealed Delivered
Silicon Valley
Simon Cowell
Single Ladies
Slipknot
Smallville
Smash
Smoke Screen
Smooch
Snow White and the Huntsman
So You Think You Can Dance
Soap Opera 451
Sons of Anarchy
Sopranos
Soul Surfer
Sound Off
Southland
Spartacus
Spike
Spin City
StandUp in Stilettos
Star Wars
Stargate Universe
Starving in Suburbia
Starz
Stephen Colbert
Stephenie Meyer
Steve Buscemi
Steve Carell
Steve Perry
Steven Tyler
Sting
Storage Wars
Suburgatory
Sue Ellen Ewing
Suits
Sullivan and Son
Super Bowl
Superman
Supernatural
Susan Lucci
Swamp Wars
Sweet Avenger
Swingin' in the Rain
Switched at Birth
SyFy
Sylvester Stallone
Tamala Jones
Tammy Lynn Michaels
Tara Summers
Tarzan
Taylor Hicks
Taylor Kitsch
TBS
Tea Leoni
Ted Danson
Teen Wolf
Teri Wyble
Terminator: Genisys
Terra Nova
Texas Rising
Thad Luckinbill
Thandie Newton
The 19th Wife
The A-Team
The After
The Almosts
The Amazing Race
The Americans
The Apprentice
The Astronaut Wives Club
The Avengers
The Bible
The Big Bang Theory
The Big C
The Biggest Loser
The Blacklist
The Bold and the Beautiful
The Borgias
The Butler
The Cabin
The Carrie Diaries
The Client List
The Closer
The Confession
The Cove
The CW
The Dark Knight
The Deep End
The Devil's Teardrop
The Dragon's Heart
The Emeril Lagasse Show
The Exes
The Expendables
The Finder
The Following
The Forgotten
The Gates
The Girl with the Dragon Tattoo
The Glades
The Good Guys
The Good Wife
The Good Witch
The Good Witch's Destiny
The Great Gatsby
The Hangover Part II
The Hard Times of RJ Berger
The Haves and Have Nots
The Hobbit
The Host
The Hunger Games
The Increasingly Poor Decisions of Todd Margaret
The Incredibles
The Killing
The Knick
The Last Exorcism
The Late Show
The Mentalist
The Middle
The Mindy Project
The Mortal Instruments
The Office
The Perfect Boss
The Perfect Summer
The Perfect Teacher
The Playboy Club
The Real L Word
The Red Tent
The Social Network
The Sound of Music
The Sundance Channel
The Talk
The Throwaways
The Tonight Show
The Twilight Saga
The View
The Voice
The Walking Dead
The West Wing
The X-Files
Thinspo
Thor
Tiffani Thiessen
Tim Griffin
Tim Matheson
Timothy Hutton
Timothy Olyphant
Titanic
TLC
TNT
Tom Cruise
Tom Felton
Tom Hiddleston
Tom Petty
Tony Goldwyn
Top Gun
Top Shot
Tori Spelling
Total Recall
Touch
Tracy Hutson
Travel Channel
Treme
Trisha Goddard
True Blood
True Detective
truTV
tv
TV Land
Two and a Half Men
Tyler Perry
Tzi Ma
Ugly Betty
Uncorked
Unforgettable
Universal Studios
UP TV
USA network
V
Val Kilmer
Van Halen
Vance DeGeneres
Vanessa Marcil
Vanguard
Veep
Vegas
Veronica Mars
Victoria Laurie
videos
Viggo Mortensen
Vikings
Vince Vaughn
Ving Rhames
Viola Davis
Virginia Williams
Wall Street: Money Never Sleeps
We the Peeples
Web Therapy
Wedding Band
Weeds
Welcome to Sweden
Wet Hot American Summer
White Collar
Whitney Houston
Whoopi Goldberg
Wild Card
Wild Kingdom
Will Arnett
Will Ferrell
Will Patton
William B. Davis
William Baldwin
Witches of East End
Wladimir Klitschko
Wonder Woman
X-Men: First Class
You
Zach Galifianakis
Zachary Quinto
Zoolander